batik series 4.0

bag straps

Batik cloths for a bag strap make for a good modern twist!Bored with the usual look of bags?, want new ways to use your scarfs?, with new emerging trends on handbag straps, use batik scarfs as one instead! 

survey

batik series 2.0

scarfs

batik series 3.0

tube tops, outside

As a top! style with denim, pants, jeans, culotte pants,

with a scarf, a denim ,leather, or a corduroy jacket!

polaroids

wear batik as a shoe lace!

as a scarf

as belt?

batik series

Dress

use the cloth as a dress! discover new dress styles too! 

styled by Naila Ardhani

batik on batik

styled by Naila Ardhani

dress pt 2

belt

use batik as a belt, matched with denim and t shirts, creating a contrast in traditional Indonesian culture and modern denim. As with the print, choose one you love deeply!

Explore on different ways to express your love and appreciation of batik

Kebaya Attire

                                                    kebaya attire

Although Kebaya is often worn in formal events, most Indonesians don't have the opportunity to wear Kebaya traditionally. Elements that make a Kebaya outfit can be used with different clothing pieces, pair with jeans, a dress, and others!

hair accessory

Memakai Kain Sumba!

                                             

                             Memakai Kain Sumba!

Kain berikut yang diperlihatkan dalam gambar adalah kain traditional sumba yang berasal yang Nusa Tenggara Timur. Gambaran dibawah merupakan sebuah gaya ideal alternatif yang dapat digunakan dalam berbagai macam.

Episode 1

Episode 2

2.1

Gambaran tersebut merupakan sebuah contoh yang mengambarkan pemakaiaan kain tradisional yang dapat dimanipulasikan dengan cara yang berbeda untuk menyajikan gaya yang unik

Djakarta Tempo Doeloe

In the clip, a specific lifestyle that embodies ignorance towards personal culture and confliction is translated, the work was based by the current issue that Indonesians face today, for many have lost sight of Indonesia as part of their identity and fail to express cultural sentiments. The work was created to invoke identity crisis, accentuating a personal crisis of Indonesians, as those participants of the party were unconscious of incidents that occur beyond their social boundaries. A fraction of Indonesian who were granted exposure to modern world, a society comprised of those who are driven towards international affairs have fail to acknowledge Indonesian roots.

In dancing, with much movement, depth, meaning through color and light pale nudes, heavy wear of hair, attire, and makeup. The way that the subjects were placed with placid expressions, dancing in leisure with ease promotes a possible ideal lifestyle to the audience that is supposed to reveal truth later displayed within the stop motion. The colors used are soft but vibrant suggest a comfortable, unadorned, and sophisticated life that one might have as a person who are lavish and privileged, are ignorant in a way due to the fact that were unconscious of the state in which bear them growth.

The subjects were dancing in a slightly lit hallway, done in black and white to emphasize movement, not distracted by colour and pattern of image. The party depicted humans momentarily, representing unconsciousness in reality.The wealthy subjects weren't aware of the war that the nation were fighting upon. The term paradoxical philistine represent this work, refers to the subjects who attend parties, luxury, and live as the high class minority favoured art, but fail to propagate on the beauty of realism and falter beauty in plight. This is a depiction of most within the modern society today, that millennials, are privileged enough by wealth, and the chance to not oblige under detrimental order in a national crisis. Indicated through the lack of knowledge and appreciation towards Indonesian culture.